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caitri"Helen Cho, Age of Ultron, and Representation Feels" by Nicole Soojong Callahan
With Helen Cho in Age of Ultron, we get an Asian woman in a big-budget major motion picture who:
1) has a name,
2) gets more than thirty seconds of screen time,
3) does not die immediately after being introduced,
4) has no apparent martial arts skills,
5) is neither a math tutor nor a geisha,
6) gets to talk and say smart things — even in a roomful of white characters, who actually shut up for a minute and listen to her when she is explaining her science and why she’s a boss,
7) does not exist solely to give some white lady no one cares about questionable relationship advice, and
8) is not a crime lord and/or running a shady as fuck business out of a big scary warehouse. ...
It shouldn’t feel like such a big deal, and I wish I didn’t have to feel so excited about a character like hers. I wish I could be neutral and reasonable and blasé about media featuring Asian characters who don’t seem like tokens or play to obvious stereotypes, but it’s so rare that I can’t be. Is it getting better? I believe it is — there are certainly more Asians on TV. But after going to see Age of Ultron, I tried to think of other American movies with Asian or Asian American characters that meet all the criteria I mentioned above, and I had a very hard time. It was especially difficult thinking of Asian women whose film characters could pass the test. ...
If this is frustrating for me, just a casual viewer/fan fielding awkward questions from her kid, I can’t imagine how frustrating it is for Asian actors and artists trying to make a living. As great as it was to see Claudia Kim in Age of Ultron, we shouldn’t have to feel so grateful for one role in one movie.
With Helen Cho in Age of Ultron, we get an Asian woman in a big-budget major motion picture who:
1) has a name,
2) gets more than thirty seconds of screen time,
3) does not die immediately after being introduced,
4) has no apparent martial arts skills,
5) is neither a math tutor nor a geisha,
6) gets to talk and say smart things — even in a roomful of white characters, who actually shut up for a minute and listen to her when she is explaining her science and why she’s a boss,
7) does not exist solely to give some white lady no one cares about questionable relationship advice, and
8) is not a crime lord and/or running a shady as fuck business out of a big scary warehouse. ...
It shouldn’t feel like such a big deal, and I wish I didn’t have to feel so excited about a character like hers. I wish I could be neutral and reasonable and blasé about media featuring Asian characters who don’t seem like tokens or play to obvious stereotypes, but it’s so rare that I can’t be. Is it getting better? I believe it is — there are certainly more Asians on TV. But after going to see Age of Ultron, I tried to think of other American movies with Asian or Asian American characters that meet all the criteria I mentioned above, and I had a very hard time. It was especially difficult thinking of Asian women whose film characters could pass the test. ...
If this is frustrating for me, just a casual viewer/fan fielding awkward questions from her kid, I can’t imagine how frustrating it is for Asian actors and artists trying to make a living. As great as it was to see Claudia Kim in Age of Ultron, we shouldn’t have to feel so grateful for one role in one movie.
