caitri: (Books)
(such as it was)

I've meant to write this all week, but I've been tired/ busy. So it's not a full meta.

I think I'm one of the few people who was okay with the ending. (NB That said I don't think that's the ending we'll get in the books, assuming we ever do get said books.) I admire the literary symmetry of it, and the homage to The Scouring of the Shire.

It didn't match up with my headcanons, which I consider superior, but I would, because I am a fangirl, but that's another thing. And also what fic is for. 

And now to be overly honest, and kind of a dick:

The best part of GoT being over is all the people who have never read a goddamn bit of genre in their lives will go. the fuck. away. and stop giving their hot takes on genre elevation/transcendence/whatever. Is GRRM a good writer? Yes. Do I enjoy his books? Sometimes more than others (the problematic sex needs to fucking stop, jesus). Is GoT/ASoIaF superior to all other fantasy novels? NOPE NOPE NOPE. Does gritty make genre better? Not necessarily.

So fuckin' tired of those arguments from the past 8 years, jfc. /rant
caitri: by blue_hobbit (Don't Go Where I Can't Follow)
Because I am tired and tomorrow will be a Very Long Day Indeed.

This weekend I binge-watched Lucifer S4. I struggled a bit at first with the way one of the main characters was OOC, but I thought it was usefully explained towards the end. Compressed to ten episodes and now on Netflix rather than Fox, the CGI was upped, the adult content a little more so (we got to see Luci's butt, and even better, Ella's), but the pacing felt rushed, despite the ten eps taking place within a time frame of eight months or so. All that said, I still adore everyone in that bar, and earnestly hope it is renewed for S5.

Meanwhile I have been enjoying Game of Thrones this season, and look forward to the grand finale this weekend. I know a lot of people have been disappointed by decisions, which I get--I'm less than thrilled by some of them too--but I'm also like, Were we not here for the plot twists rather than the characters anyway? I mean really.

Also, check out this twitter thread  on GoT by one of the SPN writers, notes that "what a show like Supernatural promises its audience in completion is so different than what a show like GoT owes" and "For one thing, SPN believes in heroism--GoT never really has. For another, for all its worldbuilding, SPN is a show about core characters; GoT is about a world. Both shows foster strong emotional identification with their characters--but on SPN that is the whole point; on GoT it is more of a byproduct/enticement for a larger point/story." To me this bodes Really Well for whatever SPN's epic finale is next year. 

caitri: (Chris Vocabulary)
 Incomplete thoughts on pop culture consumption and spoiler anxiety--and keep in mind this comes from a Gemini, so I'm going back and forth on this a lot.
 
One of the big papers--prob the NYT--had a piece yesterday about how everyone watching Game of Thrones talked about it on social media while watching or immediately afterwards, as if this was a new thing and not just fan culture gone mainstream.
 
Like, I remember doing that back in the 90s with Highlander and Buffy. "Social media" consisted of Yahoo chat rooms, licensed message boards, and fan message boards, but we were there. Then came the mid-2000s, and Television Without Pity, and thus the episode recap was born. (Does anyone remember recaps before TWOP?) (Also, RIP, TWOP.) I honestly don't remember if/how spoilers figured into it, back in those days before DVR and if you missed it and didn't record it, you missed it.
 
(Side-note for those who weren't there for the 1990s: If you liked a cult show and they didn't make a box set and it wasn't in syndication, you were SOL. I literally never saw all of season 1 of Buffy until ca. 2002 when I got the dvd set, as a VHS copy of the full season was not released, or not released where I could get it anyhow. I had to experience S1 of Buffy by READING FAN TRANSCRIPTIONS OF ENTIRE EPISODES.)
 
And now here we are today and we have mass media but it's also tiered because premium channels and subscriptions and stuff. I have my well-worn gripe here about why do people complain about subscribing to CBS All-Access for Star Trek Discovery when literally NO ONE gripes about getting HBO for 2 months every year for Game of Thrones. WHAT IS THE DIFFERENCE I DO NOT UNDERSTAAAAAAAND.
 
I mean aside from, yes all the services and competition and blah blah, and consumption as means and as cultural performativity maybe and--something something?
 
Which ALL COMES DOWN TO ME WONDERING: If 18 million people watched Game of Thrones this weekend--and they did--how is that different than watching a big football game? Is it because a football game loses its value after the epic conclusion and thus the...plot will not be diminished? .... This might be a bad metaphor, I will never know because I do not understand the sportsballs. But in terms of people accessing the same content widely to communicate about it?
 
And it's very different from watching Avengers: Endgame because of the finite number of seats in theaters and so on, to say nothing of managing babysitting and whatnot for people with kids who can watch GoT when they have gone to bed.
 
Except it's maybe not so different because again cultural consumption and a $15 movie ticket vs. $15/month tv subscription? Or maybe it is, I'm not sure.
 
(Told you I was gonna Gemini this.)
 
TL:DR What does it mean to consume--or not--popular culture en masse at once (or not)?
caitri: (Books)
I came across this while looking through some old files. I'm reasonably sure I wrote it sometime in 2011. I have no idea where it was going to go, but the pieces that exist cohere fairly neatly, so I thought I would go ahead and share.

Read more... )
caitri: (books)
“Game of Thrones” fails the female gaze: Why does prestige TV refuse to cater erotically to women?

There’s no way to talk about arousal or its attendant feelings with dignity, so I’ll start with a frank and graceless admission. As I (a straight cis woman) watched the scene on this season of “Game of Thrones” in which Daario undresses while Daenarys watches, I felt something: a twinge of erotic pleasure. It caught me off-guard. I’m used to seeing breast after breast after buttock after breast while understanding that they’re not there for me, that my enjoyment of them—at whatever level I choose—is akin to whatever Will Hunting felt while looking at equations in the physics department. I’m free to look and extract whatever I can from looking, but they really weren’t put there with me in mind.

...

Women are sexual scavengers: we cobble arousal out of things not intended to stimulate us because we’re not considered worth stimulating. (Cue the old saw about women not being visually aroused—give us a chance, would you?) That means there’s plenty of good looks on “Game of Thrones” that we can construct some kind of erotic pleasure around. I can’t speak for what most women like, but I enjoyed it whenever Drogo was on (he was Other, so the camera felt more comfortable shooting him shirtless and objectifying him), when Daario 1.0 was looking at everything like he wanted to lick it, and when Oberyn was onscreen. But these aren’t quite the same thing—all three of these men are lovely lookers, and by that I mean they are men whose gaze seems extremely erotic. That’s great, but if you’re a woman, that means the feeling of arousal has to go through a mirror: rather than directly enjoy a man’s body, you’re supposed to look at a looker who you can imagine looking at you. It is, shall we say, less visual.



'Outlander,' The Wedding Episode And TV's Sexual Revolution

But these women are not depicted as wrong or misguided for wanting and liking sex and pursuing all kinds of intimacy (and sometimes stopping at friendship, a la Abbie Mills on "Sleepy Hollow"). Many of these women are, if anything, quietly celebrated by the show's writers for being assertive, intelligent and unconventional. Unlike many of the mainstream shows and movies I grew up with, where the women who liked and sought sex were often punished in some way, I don't detect in this new wave of programs an unconscious or semi-conscious desire on the part of the storytellers to bring these women down a few pegs -- or kill them off -- for being independent and unrepentant about their desires.

This is new. This shift occurring on this many notable shows is new. But "Outlander" has taken this welcome trend a step further.

...

It may not have the HBO imprimatur, but what "Outlander" is doing, especially with regard to sexuality, also deserves to be taken seriously. The very first sex act in the pilot depicted a clothed woman receiving oral pleasure, and that felt very much like a statement of purpose. The wedding episode proved that "Outlander" has no intention of backing away from that subversive agenda. In "The Wedding," it reinforced the idea that desire is worth exploring, wherever it originates, and that the female gaze has something to offer all viewers who are willing to look. Moore has even said that "the full monty" for male characters is a possibility for future episodes.

"Outlander" is not for everyone, and that's fine. But it's among the shows doing something revolutionary in their depiction of how adults relate to each other, in bed and out of it. A few decades after the actual sexual revolution, they're revolutionizing how female sexuality is depicted -- even honored -- on TV. By being conscious of women's desires, these shows make it clear that they are conscious of women's humanity.

I LIVE!!

Mar. 23rd, 2013 11:16 am
caitri: (Cait Yatta!)
To my own surprise, it feels like. [livejournal.com profile] marthawells has epic posts here and here about the events and such. I hid out a fair bit with Martha throughout because I was in complete overload and she was one of (many, actually) friendly faces there. I've been very clingy the last few days and everyone has been amazingly patient with me (especially Todd, OMG, poor guy).

Okay, so, we knew Deeper Than Swords was gonna be a big deal, and we planned for it and everything, but holy cow it's another thing when you actually are there and SEEING it. When we went to pick George up at the airport he was stopped twice for photos in the twenty feet from luggage pick-up to exit. (Also, he's incredibly nice and patient with fans, I mean, wow.) So we dropped him off at his hotel to chill and then to go prepare for the exhibit opening, which as usual, it's opening at 6, it's 5:59, we're tossing the cleaning rag and the glue bottle. And then the hundred VIPS start to head up.

Now, for context, most exhibits we do are considered a success if there's like 80 people there. We broke records a little bit when Todd and I did 100 Years Hence a few years ago, because 300 people came to that. For George's event, we had three hundred people lining up for autographs alone; I have no idea what the numbers of people coming in for the opening Friday actually were. But the building was always busy, and we had the signing lines and the Texas Ren Faire actors and the food truck outside and Barnes & Nobles selling books and Anise Press displaying posters.

And so opening night. When people go to our exhibits, there's typically a consistent buzz of conversation as people talk. For 100 Years Hence, it was pretty loud. For this, I swear, NO ONE talked for the first half hour. I was pretty freaked, then Hal said they were all READING everything we'd written. OH. Well. Um. George didn't actually make it up to see his exhibit opening night--too many fans--an then before we knew it it was time for the feast. Which, YES. The Uni president came so they were going to bump Todd from the head table, which I thought was unfair, so I exchanged places with my boss so he could sit with George instead and then Todd and I sat together with Martha and Troyce and Dan and Scott, and the Uni Marketing head who was there just to see WTF and made small talk and was pretty lost. (Poor guy.) And that all went great and I actually got to relax for the first time in weeks maybe.

Then Friday. Dude. Let me add here that I had to wear a suit three times this week and it's a pain to not have pockets, which is why I always wear cargo pants otherwise; also, Carla commandeered me to make me look grown-up which everyone kept commenting on and so forth. (Not that they said I looked grown-up, just that I looked really good...you know what I mean.) Anyway so the morning began with meeting a reporter, doing our thing, then going to have lunch with George and Ty Franck and Martha Wells and Dianne Kraft (who is a friend to Cushing and to George) where we all got to chat about tv and writing and such. Then back to Cushing, running around doing prep, then secreting George into the building so he wouldn't be mobbed prior to his booksigning. Amazingly everyone in the lines got something signed. Then it was time to go to the Auditorium for his talk and the HBO screening.

NGL I don't remember that much there. I was intro'ing George and had somehow put off the terror of talking to 2500 people until I actually saw them all. I do know that everyone laughed at my jokes and several people said they thought it was a great speech. Ty said he didn't know I was nervous, but Scott did because apparently I didn't breathe for all five minutes. Okay, well, yes.

Then George spoke, and Todd and I collected audience questions and sorted them so that Todd could do the Q&A. We ditched the obnoxious ones ("when's the next book coming out" "My plot theory is .... [ten lines later] Amirite?" etc) and Todd asked the good ones plus some conversation starters we got going. Then there was the screening of the HBO S3 opener.

We actually missed that, because we spirited George away to see his exhibit. Which he liked. We could tell he liked it, and then he said he liked it, and it was clear he was impressed, and if I hadn't been so exhausted from everything I probably would have cried in relief. Ty wanted to know who wrote all the text (I wrote, Todd edited/made it all better) and was amazed that he saw stuff he'd never seen before because he thought that would never happen. (He's George's Senior Minion, apparently he's seen it all, and refused to be a Dothraki extra because he didn't want to take his shirt off and be cold for three hours. Also, he's hilarious and awesome.) And it was great and it made the pain of the last six months totally worth it.

So then we went back for the HBO after-party. Scott saw the episode--I was bummed my prediction was inaccurate--and a number of people came up to me to thank me for making everything happen, which was also touching and a balm to my soul. (NGL, I was really hurt when, during all of the speeches Thursday night, no one said anything about me or Todd, except for Hal who made a joke that was a bit of a non sequitor if you didn't know the context. 'Who's Cait and why should we care her office is messy?' I mentioned it to my boss, who realized that maybe saying something about who did everything was maybe a good idea, which was why he thanked Todd and I on Friday night.)

And then we went to the concluding dinner with George. That was maybe the best part because everything was done and we could all chill out. So we talked about comic books and Avengers (his favorite is Ant Man, who Ty hates), why Prometheus sucked, what it's like shooting Game of Thrones, and I don't remember what all else. And then we dropped him off at his hotel, and he said we did a good job, and he hugged me bye.

AND THAT WAS HOW I SURVIVED DEEPER THAN SWORDS.

Now I've gotta go catch-up on homework. I don't have any excuses now. Hoo boy.

ETA: Here's a link to a video of the TV spot Todd and I did:
http://www.youtube.com/watch?v=8-SmkvEJd9s&feature=youtu.be
(Todd points out that I got scolded for calling George a SF writer instead of a Fantasy writer. Pssht!)
caitri: (Default)


(A Bad Idea for us: Watching Game of Thrones and taking a drink every time someone says "winter is coming." BAD, BAD IDEA!)
caitri: (Dorktastic Chris)

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