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Because the Washington Post is worrying about nerds, or more specifically, why Americans don't respect math and science.

The nerd stereotype is a peculiarly American prejudice, which Anderegg (with substantial help from historian Richard Hofstadter's "Anti-Intellectualism in American Life") traces back to our nascent literary days. Indeed, he places the blame for American nerd aversion squarely on the shoulders of Washington Irving and Ralph Waldo Emerson. Emerson, in the seminal 1837 speech titled "The American Scholar," gave "voice in the loftiest academic diction to a repeated theme in American history: that Americans are, first and foremost, men of action, not men of reflection." Irving had already put imaginary flesh on those bones, in the person of Ichabod Crane, the awkward scholarly schoolteacher scared out of town by his romantic rival, the pretend pumpkin-head Brom Bones, "a new American type: the anti-intellectual hero." Anderegg very seriously advises that "The Legend of Sleepy Hollow" should not be taught until college for the damage it could cause to young psyches.

Okay that may be a bit much. Or it could just be that another element of anti-intellectualism that we reward books that are shoddily researched. *coff* Everything Bad is Good for You anyone?

Seriously, the real problem with anti-intellectualism in America is that we have to have fucking debates on teaching science. in. public. schools. Which means by the time kids get to college they are woefully unprepared in science and mathematics. And then we wonder why our kids' scores are shit next to those of other countries.

If the little fuckers are actually taught, then they will all be "nerds" and actually able to make a living wage, and then the Big Companies won't have to outsource cheap IT labor etc to India. And I bet they wouldn't like that. Pardon my cynicism.
caitri: (Default)
WARNING: This post contains lots of profanity.

Much handwringing at year's end from the Times Online which I have yet to learn to *not* read in order to protect my blood pressure.

It was a year in which a certain type of person died — Michelangelo Antonioni, Ingmar Bergman, Norman Mailer, Karlheinz Stockhausen, Jean Baudrillard. These were intellectually pungent, culturally potent individuals, angrily dismissed as often as they were called “great”, “seminal” or “genius”. And with Luciano Pavarotti dead, another type of greatness vanished from the planet.

No Kurt Vonnegut mention? Tsk.

Technology, hype and the sheer profligacy of the arts when confronted with a large, hungry and wealthy audience have created a climate of excess — just too many artists, too much money, too many works and too much noise. Who knows who, now, is great? Even if greatness existed, how would we find it? Do we want greatness, or would we simply prefer choice?

I'm sorry you're bitter about the rise of the blog. Do go on.

As a mass-market product, the novel is dominated by women. Women, overwhelmingly, buy novels; and, as a result, women write them. Chick lit and Aga sagas are now distinct and, seemingly, enduring fictional forms. The “great” novel, however, is dominated by men. Ask any collection of reasonably well-read people who are the great novelists of our time and the chances are they will reel off John Updike, Roth and, probably, DeLillo as if they were one gigantic genius of fiction. “They,” says Ian McEwan, “are the gods.”

Well fuck McEwan up the ass with a stick! He wouldn't know decent prose if it bit him! What the fuck about Neil Gaiman and Diana Gabaldon, who I wager both can say a hell of a lot more about humanity, beauty, and general fucking existence on one fucking page that all of those buggers combined!

D'you want to know why the "great novel" is dominated by men? Because fucking publishers are unable to publish a book by a woman that doesn't have a fucking shoe on the cover! Joanna Kavenna's Inglorious was one of the best new books I read this year, an exploration of depression, mortality, and emotional breakdown, and they have to sell it with a pair of FUCKING SANDALS on the cover!!!!!

The writer tries to back off here with a brief paragraph on two women writers who I've never heard of, and get this:

...in fact, everything she writes is suffused with extraordinary beauty and almost unbearable insight. She is the greatest of all writers on love.

The fuck? Women writers are limited to the fluffy bunny aspects of the emotional spectrum. The hell? Again, read Diana Gabaldon. She had two new books out this year, including Lord John and the Brotherhood of the Blade. I daresay if it had been written by a writer with a penis it would be popping up all over the literary year-end lists because of its explorations of homosexuality in the eighteenth century and its descriptions of life as a British officer, but guess what? No penis: no recognition.

Okay, there's quite a lot more of the article that I'm not breaking down because I'm just too fucking mad. My advice to you, dear readers, is if you choose to read the offending article, don't do so sober.
caitri: (Default)
Encouraged by the NEA report, there is much handwringing at the New Yorker. You know things are dire when there are quotes by Proust, McLuhan, and Ong.

(Me, I'm just flashing back to the lectures of the "Media and Literature" course at UGA. Long live Dr. Menke and his obsession with The Matrix!)

Anyhow, Caleb Crain briefly posits the possibility of the creation of a new "reading class" thanks to the new NEA scores. To which I reply: Seriously? We already have one. Except for the last twentysome years it was called "the professional class." You know, the one with people who have multiple degrees and generally wear suits to work. This class is largely present in DC and barely seen in GA or TX. People unaware of this are the ones who seldom leave cities; it's like a postdoc I know who insists that everyone has an equal opportunity and it's a person's own fault if they don't get somewhere in the world.

Insert more comments here on culture clash, class warfare, and the like. I'm coming down with a cold and am too fuzzy to do it myself.

~~

Oh and I still have some Xmas shopping to do. And Xmas cards to write. Fudge.
caitri: (Default)
Research Report #47 from the National Endowment of the Arts.

The NYT reports more here.

Will report more fully myself once I'm done with the thing.

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